On An-ten-nae’s newest release we see his signature Acid Crunk style taken to new heights, fusing elements of halftime, acid lines and punchy dynamic low end. While computer voices and Timothy Leary samples beckon you to take LSD.
An-ten-nae is a instrumental player on the west coast, from previously producing some the biggest bass music shows at legendary venue 1015 Folsom in San Francisco, to shows in Portland in 2019, and his signature Acid Crunk Compilations. One thing is always constant, and that is, constant evolution. With his numerous other projects like Dimond Saints, The Invisible People and DnA, An-ten-nae always manages to reinvent himself and push his boundaries.
An-ten-nae has over 100 releases under his belt and collaborations far and wide. He has charted in the iTunes Top 10 and been featured on Huffington Post and Billboard. He also has over 40 Million combined streams / Downloads to date and picking up steam, and playing such venues / festivals such as Red Rocks, Electric forest, Shambhala, Lightning in a Bottle. 2019 promises to be his most prolific one yet.
I don't need the members of any community discarded and body othered as a bitch, thanks of the trees for helping me realize there's no point in bass music that I need to hear someone slip the word into my eardrum. cya. BeatsaNdBuds